|Athabasca Glacier, Canadian Rockies, twilight|
In my ongoing search for what sort of photographer I am and how to improve, I've had another professional portfolio assessment, this time from Getty Images. Although focused on stock photography, the comments apply more widely.
'Your best qualities as a photographer are working with real people, real situations and natural light.'
You have to love the stock world distinction between glamorous models and 'real people' :) and 'real situations' means acted-out situations that look real. As to natural light, I do enjoy fooling around in the attic studio with speedlights but, well, yes, 'let's go outside' is more me.
So I know how I could sell more photos as stock but who am I as a photographer, apart from stock? Sometimes knowing who you are NOT is very helpful and I've learned that photography is not just about liking the subject; it's about YOUR personality and lifestyle. So, who are you? Do you recognise who you are - or who you're not? Feel free to add some categories in your comments!
Landscape PhotographerYou rise at dawn, spend the day complaining about harsh light and too much sunshine, then come alive again during the twilight blue hour and into the night. People exist to show scale as 'figures in a landscape' and are of no interest in themselves. In fact, people are irritating and you prefer there to be no people at all. You love slow exposures. Tripod, patience and natural light are your tools. You're willing and able to hike to impossible places, carrying 50kg of gear, to get The Shot.
Check out these photographers for great landscapes (and more):-
|Athabasca Glacier, Canadian Rockies 6 am|
Night PhotographerYou come out at night, seeking places that no sensible person would go in the dark. Your partner is used to you sneaking out of bed, throwing on some clothes and going out. He/she has given up telling you it is dangerous. Whether in mean streets or trackless wilderness, you wear a cloak of invisibility that, along with your tripod, protects you from violent lowlife, human or animal. Your exposures are so slow they make people disappear and only the essential remains. You love stars. You might even specialise in astral photography.
|La Belle Vie|
Landscape and night photographer Tommy Dickson said 'I love turning night into day.'
Wildlife PhotographerYou have inhuman patience. You could watch a patch of grass all day because three years ago a rare insect was seen on that very spot. You are a stalker. You know your subject intimately; how it behaves, where it goes; its mating habits. You have a David Attenborough commentary going on in your head at all times. You are happy to get close-up and personal with creatures that have big teeth. You think photo manipulation is cheating. You need a telephoto lens that costs the price of a house. You can lose the hiking/carrying and financial requirements if you opt for the macro version and shoot tiny wildlife, close-up.
Finalists in Wildife Photographers of the Year 2016
Check out the wildlife photos (and more) by Guenter Gueni
Street PhotographerYou have no scruples about shooting strangers' private moments in public places. You shoot fast and have an eye for composing a candid scene, capturing relationships, emotions and urban settings. Usually, nobody notices you sneaking photos but every now and then a subject looks at camera with a smile, or shock or indignation. You shoot with an unobtrusive prime, probably 35mm, and you like black and white processing.
Apart from the iconic Cartier Bresson, one of the most famous street photographers is Vivian Maier, the nanny, who perfected invisibility but whose photos were never seen until after her death. Modesty? Lack of money for prints? Or scruples about the strangers whose lives she presents?
PhotojournalistYou care passionately about human rights, the planet and freedom of information. You want everyone to know what's happening in 'the rest of the world' so you risk police harassment, even rape or murder to portray the truth. You started as a travel photographer but you left your viewers' armchair comfort zone and you want to change their attitudes, startle them, stir them into action. You carry two cameras, no tripod, and you like shutter priority - it's not a question of shooting fast, but rather of how fast you shoot. If you slow down, it's to photograph the people who ought to be in the news, not the people who are. Home can be boring.
Two outstanding photojournalists:-
Anna Puig Rosado
Food PhotographerYou buy vast quantities of cookbooks and food magazines for the photos. Eating is a pleasure and you see food as beautiful. An aubergine is sexy and you can see what colours would set it off to perfection. Your house is full of unmatched plates, cutlery, serviettes and other objects bought as food props. Your partner is trained to ask whether you have photographed an item of food before he risks your wrath by eating it. Outdoors/indoors; tripod/free-range; macro/telephoto lens; your choice. As long as you see food items as glamour models, you're a food shooter.
|French buche de Noel / Christmas log|
My food photography inspiration includes Kelly Cline, whom I met online thanks to istock, and Helene Dujardin (what a great name for a French food shooter!)
Studio PhotographerYou're a perfectionist and control freak. There must be no light or shadow in your image but what you allowed and intended. You can shoot beautiful studio portraits but, if you're honest, people are a little difficult to control and what you like best is a perfectly lit product shot. Your studio does not only have lights and every kind of modifier known, including mirrors and gobos; it has a beam and rail systems. You know how to name and use every piece of technology you have and what you most want is a smoke machine. Your assistant takes his/her shoes off at the impeccably clean threshold and whispers while you work.
You know who you are :)
Portrait PhotographerYou're a people person. You can make someone relax in front of a camera; talk, laugh, fool around. People trust you and show you who they are, who they want to be and then magic happens. A portrait is an interactive threesome and, unlike food or landscapes, the subject has opinions and can hate the photo. Relationships can hurt and if you don't know what the other person wants, you can both be disappointed; if you work together, you can have more fun than ought to be allowed when working. Studio or natural light; tripod or not; still or movement; your favourite portrait lens (mine's an 85mm f1.4) Just steal somebody's soul!
Check out the portraits (and more) taken by Richard Clark
Architecture PhotographerYou get excited at diagonal lines and architraves. You have the urge to lie on your back and shoot a cupola or skyscrapers. Stairwells induce pleasure overload. You are THE mathematical photographer, always aware of symmetry and straight horizontals. If a human being is in front of you, what you see are circles, verticals and curves. Sorry, did it say something? Your weapon of choice is a tilt-shift lens but you'll settle for a wide-angle that doesn't vignette.
|Ceiling, The Palace of Joy, Zaragossa|
Fashion PhotographerDesigner labels and colour co-ordination make your shutter-finger twitch. You know about handbags. Only young, beautiful people exist and you can charm them into impossible poses to show off the real subjects - clothes and accessories. Star-jumps on rooftops and clinging to a cliff-face are only some of your ideas to display voile floating. You are inseparable from your favourite stylist and make-up artist.
Check out three-times-winner of Malta's Fashion Photographer of the Year Kurt Paris , and stunning work from Nils Kahle
Sports PhotographerYou don't just support one team; you support twenty and you know the rules of every game, underwater, over hurdles and in the sky. You love action, motion, effort and achievement, winning and losing. If it moves, you shoot it. You like panning, tracking and motion blur. Forget the tripod and sell the house for a super-fast telephoto lens.
Check out Charlie Mann's work.
Of course there are overlaps and specialisms within specialisms; timelapse, underwater, lo-fi, baby-mugging and Pellier Noir are just some that came up when I googled photography categories!
My photographic adventures in 2016 have included organising and shooting professional models in Paris with some amazingly talented photographer friends; giving a ten minute presentation on my work at a Getty Images event; and testing my landscape skills in Zaragossa, Northumberland and the Canadian Rockies. Next weekend I'm attending a portrait workshop with Anna Puig Rosado who lives only 30 minutes from me and is not only internationally respected as a photojournalist but also a warm, friendly person and a great teacher. Watch this space!